One of my favorite animated feature length films of all time is The Iron Giant, which made me excited that we were going to be watching it this semester. It is extremely different to watch this film as a kid and then re-watch it within an animation class because you begin to realize how incredibly impressive the film is. Directed by Brad Bird, who also directed Ratatouille, the animation that is presented exceeds all others that were released around the same time. The film has become an American classic, being nominated for the Top Ten Animated Films by American Film Institute and winning Best Feature Film by the British Fiction and Fantasy Writers of America. It is a staple example of how animation can bring the viewer into a completely different world and tell an interesting narrative.
The inspiration behind the animation in the Iron Giant stemmed from Norman Rockwell, Edward Hooper and N.C. Wyeth, who are all incredible artists. In order to make sure that they could achieve the magnitude that they were setting forth with, a specific computer was created entirely for the project. The entire crew on the film was extremely hands on and collaborative. In fact, Teddy Newton (the storyboard artist) was given creative freedom on many of the scenes and came up with ideas that ended up being the most memorable scenes in the final product.
One of the greatest strengths of the film is the ability for it to be an incredible action film without using special effects or live-action stunts that have become synonymous with action films. The action grabs the viewer in and makes them forget that they are watching a computer-animated film. The storyline is also exceptional, with many different plot turns and heart wrenching moments that keep the viewer focused on what is going on screen. The color choice also helps to make The Iron Giant shine, using brightly colored gradient backgrounds as a way to emphasize the greys of the giant himself. In an age where high budget live-action films are outshining all competition, it is refreshing to see a film that achieves all that other films do without all of the bells and whistles.
